

Yamamura Misa Suspense: Kyoto Ryuu no Tera Satsujin Jiken 1987
Developed by Taito
- Adventure, Visual Novel, Mystery
American investigator Catherine Turner has just been accused of a crime committed on the grounds of Kyoto's most famous temple and must prove her innocence by examining crime scenes, collecting evidence and talking to suspects. The first in a series of murder mystery games by Taito written by and named for Japanese mystery writer Misa Yamamura.
AdventureVisual NovelMysterymurdermurder mysterycrimetext adventureFamily Computer
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Answered from what people have written, never made up: a verdict, how much when it's a matter of degree, and the sentences that say so, quoted with their names. Reviews here first, then TMDB's reviews and the title's Wikipedia plot and reception. If nothing settles it, you can put it to the curators.
Character
Earnest, grave, classical in form and plot-driven.
- earnestironic
- gravecomic
- classical in formformally daring
- character-ledplot-driven
- unpretentiousprestige
Who loves it, who doesn't
No profiled raters yet.
Reviews
No reviews yet.
About the game
- Platforms
- Family Computer
- Developer
- Taito
- Publisher
- Taito
- Released
- December 11, 1987
- Modes
- Single player
- Perspective
- Text
Screenshots



Pairings
Companions we picked from the closest works, and how to take them.
Similar in taste
Closest on the same fourteen dimensions, from everything scored on Curator Co. Other media included when they land close.
Both earnest, grave, classical in form.
Both earnest, grave, classical in form.
Both earnest, classical in form, grave.
Both earnest, grave, classical in form.
Both earnest, classical in form, grave.
A Detective's Novel 201684% alikeBoth grave, earnest, classical in form.
Both earnest, grave, classical in form.
Both earnest, grave, classical in form.
Film · Both earnest, classical in form, grave.
Murder in Three Acts 198674% alikeFilm · Both earnest, classical in form, grave.
Often played with
Similar games per IGDB. Opening one adds it to Curator Co.








