We deserve to know.
A cybersecurity expert becomes a whistleblower after uncovering secrets about aliens, putting him on the run from a corporation. Meanwhile, a meteorologist experiencing strange phenomena joins forces with him to prove there's life beyond our understanding.
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Character
Earnest, classical in form, grave and contemporary.
- earnestironic
- classical in formformally daring
- gravecomic
- contemporarynostalgic
- intimateepic
Who loves it, who doesn't
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“Is Disclosure Day overrated?”
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Answered from what people have written, never made up: a verdict, how much when it's a matter of degree, and the sentences that say so, quoted with their names. Reviews here first, then TMDB's reviews and the title's Wikipedia plot and reception. If nothing settles it, you can put it to the curators.
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Reviews on TMDB
Written by TMDB members; each links to the original. Not part of Curator Co.'s numbers.
- Manuel São Bentoon TMDB · Jun 20268/10
Check out my full review @ https://www.manuelsbento.com/disclosure-day-2026-a-breathtakingly-human-paradigm-shift-in-modern-sci-fi/ Rating: A- DISCLOSURE DAY is a fascinating, deeply hopeful return to sci-fi for Steven Spielberg, beautifully championing the concept of truth as a fundamental human right. Subverting the destructive tropes of typical alien invasion flicks, it favors radical empathy and genuine human connection over blockbuster chaos. Emily Blunt delivers a sensational, potentially career-best performance that anchors a truly incredible ensemble cast. Driven by exceptional camera work and a sweeping pace, it stands as one of my favorite films of the year so far. I cannot wait to see it again!
Read the whole review on TMDB - Brent Marchanton TMDB · Jun 202610/10
Director Steven Spielberg’s filmography is legendary, to say the least. Movies like “Jaws” (1975), “Close Encounters of the Third Kind” (1977), “Raiders of the Lost Ark” (1981), “E.T.: The Extraterrestrial” (1982), “Schindler’s List” (1993) and “Jurassic Park” (1993) have gone down as classics in the annals of filmmaking. And, even though some of his works in more recent years haven’t quite lived up to the quality of past efforts, it’s comforting to know that he’s still got what it takes when he gets behind the camera. This is where his latest release, “Disclosure Day,” comes into play, easily his best picture in years. This sci-fi/conspiracy theory/personal discovery thriller sports a multifaceted narrative that’s probably too complex to detail here, but that’s likely to be beneficial to viewers who walk into the theater knowing little, if anything about it in advance. In fact, I’d actually recommend approaching this offering from that standpoint to allow it to wash over you organically, to experience and wrap yourself up in the sense of awe and wonder it evokes without the hindrance of too many preconceptions. The one thing I will say about it is that it’s more than just another
Read the whole review on TMDB - Andrew Herzmanon TMDB · Jun 20265/10
If this film was released in 1979-85 I probably would have loved it. Now that I'm 61 instead of 14, I see the world much differently. I really wanted to like this, since CE3k is one of my all-time favorite movies and Spielberg has never let me down so far. The production was terrible. JJ Abrams style lens flares all over the place that were nothing but distracting. The CG animals looked fake. The scenes that were supposed build tension, were boring and predictable. Who could have guessed the aliens would look like that? (Sarcasm). Since I worked at NBC's 30 Rock, I just had to laugh at how fake that was. Even John Williams' sound track had no ooomf.
Read the whole review on TMDB - dumasorion TMDB · Jun 20262/10
**A Movie Made by Dinosaurs, for the Dinosaurs** I wanted to like Disclosure Day. The premise—a government agent racing to expose classified alien contact—should be tense, urgent, relevant. Instead, what we get is a film so divorced from how the actual world works that it feels like it was written by people who've been in a bunker since 1987. The core problem: when your protagonist needs to leak classified information in 2026 or whenever this is supposed to happen, why in God's name are we watching them scheme about getting it done through a news room? The movie shows thumb drives, AI, all this modern tech—and then treats a television newsroom like it's the only lever that matters. It's nonsensical. If you want to burn a government secret to the world, you don't need Walter Cronkite anymore. There are better platforms on the internet. The infrastructure exists. The filmmakers simply have no clue how modern information systems work. And then there's the blandness. The villains have no depth—why do they actually care about keeping this secret? The heroes have no passion—what's driving them besides a vague sense of duty? There's no tension, no stakes that feel real, no reason to inves
Read the whole review on TMDB - Chris Sawinon TMDB · Jun 20263/10
The filmmaking aspects of Disclosure Day are impressive, and they should be, considering Steven Spielberg’s illustrious career and the people he continues to work with, but the story feels so elongated for no reason, with no real conclusion, and the dialogue and humor are so awful when there is so much of each. https://bit.ly/DiscDay
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Cast
- Emily BluntMargaret Fairchild
- Josh O'ConnorDr. Daniel Kellner
- Colin FirthNoah Scanlon
- Eve HewsonJane Blakenship
- Colman DomingoHugo Wakefield
- Wyatt RussellJackson
- Henry Lloyd-HughesCasper Boyd
- Elizabeth MarvelSister Maura
- Hettienne ParkSerena
- Tommy MartinezSantiago
Crew
- Steven SpielbergDirector
- David KoeppScreenplay
- Janusz KamińskiDirector of Photography
- John WilliamsOriginal Music Composer
- Sarah BrosharEditor
- Kristie Macosko KriegerProducer
- Steven SpielbergProducer
Where to watch
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Pairings
Companions we picked from the closest works, and how to take them.
Similar in taste
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Contact 199777% alikeBoth earnest, classical in form, epic.
The Manchurian Candidate 200475% alikeBoth earnest, grave, classical in form.
Thunderheart 199275% alikeBoth earnest, classical in form, grave.
Knowing 200975% alikeBoth earnest, grave, classical in form.
Snowden 201675% alikeBoth earnest, grave, contemporary.
Clear and Present Danger 199475% alikeBoth earnest, classical in form, grave.
Galaxy Express 999: The Movie 197974% alikeBoth earnest, grave, classical in form.
The Company You Keep 201274% alikeBoth earnest, grave, classical in form.
KADO: The Right Answer 201777% alikeSeries · Both earnest, contemporary, grave.
Fringe 200876% alikeSeries · Both earnest, contemporary, epic.
Often watched with
Recommendations from TMDB. Opening one adds it to Curator Co.
